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Roughly four years ago, I wrote a story called “The Chrysanthemum and the Sword” that implored the Japanese motorcycle manufacturers to build elements into their brand that went beyond the tangible and into the intangible — I was basically asking these brands to create what motorcyclists call soul.

From that story, I got a number of insightful emails from employees at these Japanese brands, who shared my frustration with the soulless machines their employers were creating. Despite those emails, when the Honda RC213V-S debuted, I was struck by how extensively that message had fallen on deaf ears.

The day of the RC213V-S’s launch, I asked my Facebook followers if the Japanese brand had “just pulled a Honda” on its release Honda RC213V-S – debuting a machine that ticked all the right objective boxes, but failed the most subjective of all tests: my lustful desire to own it.

From one endangered race to another. The MotoGP paddock leaves Indianapolis, possibly for the last time, and heads to Brno, a race which has been on the endangered list for the past ten years.

Not all of the paddock got out on time: overbooked flights and thunderstorms caused massive delays, and left riders, teams and media stuck hanging around in airports for many hours.

Hardly the ideal way to adapt to a shift of time zones by six hours, but they have little choice. There will more than a few bewildered faces in the paddock at Brno, trying to figure out where they are and what day it is.

A quick glance around should be enough to remind them. Brno is a glorious circuit, set atop a hill in the middle of a forest. To reach the track, you drive up the narrow, winding, tree-lined roads that once formed the basis of the old street circuit.

The closed circuit that replaced those roads still retains most of that character: fast, flowing, rolling up-hill and down-dale through the trees. Where the track really differs from the public roads is in how wide it is.

The space that creates is seized upon eagerly by the riders, using it to take a number of lines through each of its corners, giving plenty of opportunities for passing.

The fact that the corners are all combinations helps: riders flick right-left, left-right, right-left again and again. Make a pass into one corner, and your rival has a chance to strike back immediately at the next.

It is a track which is made for great racing, and great motorcycle racing at that. Riders, fans and media alike all hope fervently that the financial and political problems which have dogged the Czech Grand Prix can be resolved, and we can keep this spectacular circuit.

Whether this is the last time MotoGP visits Indianapolis or not – the lack of an announcement on Sunday night suggests that this was the last time – the 2015 edition will certainly go down in history as memorable.

Race day saw the biggest crowd since 2009 head to Indianapolis Motor Speedway, though in a facility this vast, anything less than a quarter of a million fans is going to look empty, and all 67,000 were treated to some genuine racing spectacle.

An upside down Moto3 race, where those bold enough to gamble on slicks were duly rewarded; an old-fashioned Moto2 dogfight, where a group of evenly matched riders brawled from start to finish; and a pair of exceptionally tense duels in MotoGP, with championship positions raising the stakes even further.

The race of the day? Hard to say. All three had their own appeal. Rain and a drying track made Moto3 a weird contest, with massive gaps between the leaders, and yet still strangely exciting, because of the potential effects on the championship.

Moto2 harked back to the halcyon days of Márquez, Iannone, and Espargaro, and reminded us of why we used to love the class. And MotoGP was more about tension than straight up excitement, brains kept busy calculating the ramifications for the championship as the front four swapped positions.

That Marc Márquez ended up winning the MotoGP race should come as no surprise. The Repsol Honda rider extended his winning streak, both at the track and in the USA.

I’ve shot from the grandstands every single year since MotoGP started racing at Indy in 2008. I almost didn’t do so this weekend, but towards the end of the race most riders were too spread out for group photos so I autopiloted back to my favorite vantage point.

andrea-dovizioso-motogp-indianapolis-gp-daniel-lo

Peering through a lens sometimes makes you oblivious to what’s happening right in front of you. I didn’t realize until well after the fact that Andrea Dovizioso had just gotten bumped off line and ended up last barely two corners into the race.

jorge-lorenzo-motogp-indianapolis-gp-daniel-lo

Park ferme is an ideal place to capture portraits of riders in a reasonably good mood.

After practice on Friday, it looked like the MotoGP race at Indianapolis was going to be a knock-down, drag-out battle between Marc Márquez and Jorge Lorenzo, both men very evenly matched.

A day later, and it looks like the battle could be much bigger than that, with Dani Pedrosa and Valentino Rossi on the same pace, and maybe even Pol Espargaro, Bradley Smith, and if things go right for him, Aleix Espargaro involved in the fight.

Unfortunately for the fans, the battle will be for second, as one man has moved the game on. Marc Márquez’s reign in the USA is looking increasingly secure.

Every once in a while, riders inadvertently do me a big favor by glancing over as I’m taking pictures. Eye contact is always a bonus.

cal-crutchlow-motogp-indianapolis-daniel-lo

This was a continuation of an idea that I started trying a couple years ago, but I forgot about. I tried to use the track to add a bit of interest to the foreground, while making sure the rider was making an interesting shape. Cal Crutchlow was the only rider to dangle his leg, making him the ideal subject.

dani-marc-motogp-indianapolis-daniel-lo

This is what happens when riders are asked silly questions during press conferences.

Turn two at Indy generally doesn’t generate interesting images aside from the opening lap of a race, but I decided to make a brief stop since I was in the area.

The first couple riders went by and I quickly remembered why I don’t really spend much time there. Next thing I know, Alex Marquez runs wide entering the turn and skids into the grass making odd shapes along the way.

bradley-smith-motogp-indianapolis-motor-speedway-dan-lo

At the moment, the outside of turn three is the most interesting spot I know of at Indy that plays well with the morning light. The first time I shot this corner was three years ago, just before Marc Marquez entered the premier class, and the riding style did not look quite like this.

jorge-lorenzo-motogp-indianapolis-motor-speedway-dan-lo

This angle only works with riders with a certain riding style. Jorge Lorenzo is one of them.