Tag

Dorna

Browsing

When it was announced that the claiming rule was to be dropped and the rules would be changed for 2014, one of the main questions was what to call the new class. After some complaining early on, MotoGP fans had become used to the CRT name, and understood what was meant by it.

With the choice of software now determining how much fuel and how many engines a team can use – 24 liters for the spec Dorna software, 20 liters for factories using their custom software with the spec Magneti Marelli ECU – there was no easy and obvious nomenclature for the bikes.

Under the first draft of the rules, the bikes were divided into two categories: “MotoGP” and “MotoGP with factory option”. That appears to have encountered resistance, however, and so a new name has been found for the non-factory bikes: for 2014, non-factory bikes will be referred to as ‘Open’ entries.

The future of the World Superbike series is about to undergo a radical change. The EVO class to be introduced from next year onwards is to be the standard for all World Superbike machines from the 2015 season onwards. As the WSBK grids have dwindled over the past four years, World Superbikes have been looking around at ways to stop the decline of the series.

Former owners Infront were unsuccessful at stopping the rot, and now that the series is in the hands of Dorna, the Spanish series organizer has sat down with the manufacturers – previously excluded – and tried to find a way to cut costs drastically and increase participation.

The FIM have today released the provisional version of the MotoGP calendar for 2014. As expected, there are few surprises: with the addition of Argentina and Brazil, there will be nineteen races on the calendar, though Brazil is not expected to be ready to host a race next year, the event likely to be postponed until 2015.

Laguna Seca is gone from the calendar, leaving just two US races on for 2014. And once again, there are four Spanish rounds on for next season, although Jerez is marked as being subject to contract.

Confirming one of the worst-kept secrets last weekend, Mazda Raceway Laguna Seca has made an official statement that says that the coastal Californian track will not host the MotoGP Championship in 2014. The track cites the two other US rounds, and the circuit’s not-for-profit status as reasons why the US GP could not continue at Laguna Seca.

Boiling down the reasons we already laid out yesterday, the simple truth is that Laguna Seca was unable to meet the demands and needs of Dorna, nor was the circuit able to compete against the purpose-built Circuit of the Americas; as well as Indianapolis Motor Speedway, the motorsport capital of the world, which our sources say was “willing to do whatever it takes” circuit-wise to keep the premier-class of motorcycle racing at IMS.

To its credit, Laguna Seca hopes to return the MotoGP Championship to its facilities in the near future. We have heard talk of the California track alternating years on the MotoGP calendar, though it is too early to tell if that plan is what Mazda Raceway Laguna Seca is referencing in its release.

The press release from Mazda Raceway Laguna Seca can be found after the jump.

At the same time the World Superbike rules for 2014 were announced, the revised version of the MotoGP rules, including updates for next season were also published. But unlike the WSBK rules, no press release was sent out to announce the new rulebook, as the minor rule changes had already been announced previously.

Yet this rulebook marks a sea change in the way MotoGP is defined. For 2013, MotoGP is still defined as prototypes competing with 21 liters of fuel, and an additional class of machines running under the claiming rule banner. From 2014, however, the roles are reversed. All bikes are classed as MotoGP entries, but an exception is made for teams entered under the ‘Factory Option’.

Despite the posturing ahead of this year’s Red Bull Indianapolis Grand Prix, which seemed to suggest that the Indianapolis Motor Speedway would exercise an option to forgo hosting the 2014 MotoGP Championship, Dorna and IMS have come to an accord on keeping the Indianapolis GP for next season, with a date in mid-August still to be announced.

Keeping three American races on the calendar for at least the immediate future, IMS also announced that it was working with MotoGP on a “long-term future” to keep the premier class coming back to Indianapolis, which bodes well for the US keeping its dominant role in hosting the MotoGP Championship.

The FIM has confirmed changes to the World Superbike Championship for the 2014 season and onward. Following in the footsteps of the MotoGP Championship, WSBK will go to an eight-engine allocation (per rider, per season), have a limited number of gear ratios, as well as price caps on brake and suspension pieces. Pretty standard fare.

More intriguing though is the announcement by the FIM that World Superbikes will have a sub-category: the EVO class. British motorbike race fans will find the term familiar but for the rest of us, the distinction is simple.

The WSBK EVO class will follow the same rules as the standard WSBK-spec machine in regards to chassis, suspension, and braking components, but will follow the FIM Superstock rules when it comes to engines and electronic systems. The press release is after the jump.

The performance of Aleix Espargaro and Randy de Puniet has made it clear that Aprilia’s ART machine is the bike to be on for any rider not on a factory or satellite machine. There are a lot of reasons for the bike’s success: the engine in its standard state is very strong, the bike handles exceptionally well, and is very easy to ride.

But perhaps the biggest advantage which the Aprilia has is the use of Aprilia’s WSBK-derived electronics package, which is helping to make the bike extremely competitive. “Electronics are 75% of the bike,” Aleix Espargaro said in a recent interview with the Dutch MOTOR Magazine.

And here lies Aprilia’s dilemma. From 2014, Aprilia will be forced to choose. If they wish to continue as a non-factory entry (as the category replacing the CRT will be called), they must use the Dorna-supplied spec-software, written by Magneti Marelli for the spec-ECU.

Though the spec-electronics has made huge bounds in the six months since it was introduced, it is still very much a project under development. However, Aprilia’s software is a proven package, with many years of development behind it.

There was a small flurry of excitement when the minutes of the last meeting of the Grand Prix Commission, including rules on the spec-ECU and factory entries were announced last week. That was then followed by a bout of confusion, as everyone tried to figure out what all of the various changes meant, and what impact they may have on the series. It appears that the answer to that question is “not as much as you might think,” so let us take a look at what has changed.

Just when it looked like the MotoGP silly season was getting ready to wrap up, a few new developments threw a spanner or two in the works. A week ago, most MotoGP pundits were convinced that Cal Crutchlow would be going to Ducati, Scott Redding would be moving up with his Marc VDS Racing team, and there was next to no interest in Yamaha’s leased engines.

At the Sachsenring, many things changed, in part at the instigation of Honda, and in part because of Yamaha.

Honda has made the biggest move in the market. At the Sachsenring, credible rumors emerged of Honda attempting to secure both Redding and Crutchlow, in two different moves. HRC’s approach to Crutchlow could cause the biggest upset. The Japanese factory is known to be very impressed by Crutchlow, but their dilemma is that all four Honda prototype seats are ostensibly taken for 2014.

While both Marquez and Pedrosa have contracts for next year, and Bautista is locked in at Gresini for 2014, Stefan Bradl’s seat at LCR Honda could possibly be available. While Bradl is locked in to a two-year deal with HRC, Honda hold the option to decide not to take the second year, potentially freeing up Bradl’s bike, and that seat could then be taken by Cal Crutchlow.