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Daniel Lo

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The untimely passing of Nicky Hayden affected motorcycle fans around the world, the team at Asphalt & Rubber included. To work through the grief, we are going to take this week to celebrate the life of The Kentucky Kid, sharing with you our thoughts and images from the years we worked with Nicky. So, we hope you will enjoy these photos by photographer Daniel Lo, as we all continue to hold Nicky in our thoughts and remember him. – JB

The large swatches of red, white, and blue paint at the Circuit of the Americas are a great visual addition to an already fairly scenic track.

Throw in a bit of elevation change, and the colors provide endless possibilities waiting to be explored.

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With smooth armco and solid stripes serving as a background, a motion blur was easy to achieve. This came with a caveat, as this particular composition was also only possible with the fastest riders.

The reason for this is that the armco abruptly cuts off mid-corner, followed immediately by unsightly plastic crash barriers that required a substantially slower shutter speed to smooth out.

Slower riders didn’t get their bikes down at full lean until they were past the armco, which yielded very different results.

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I tend to gravitate towards abstract compositions that intentionally obscure the location on the track. Any educated guesses as to Dani Pedrosa’s whereabouts?

I’ve shot from the grandstands every single year since MotoGP started racing at Indy in 2008. I almost didn’t do so this weekend, but towards the end of the race most riders were too spread out for group photos so I autopiloted back to my favorite vantage point.

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Peering through a lens sometimes makes you oblivious to what’s happening right in front of you. I didn’t realize until well after the fact that Andrea Dovizioso had just gotten bumped off line and ended up last barely two corners into the race.

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Park ferme is an ideal place to capture portraits of riders in a reasonably good mood.

Every once in a while, riders inadvertently do me a big favor by glancing over as I’m taking pictures. Eye contact is always a bonus.

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This was a continuation of an idea that I started trying a couple years ago, but I forgot about. I tried to use the track to add a bit of interest to the foreground, while making sure the rider was making an interesting shape. Cal Crutchlow was the only rider to dangle his leg, making him the ideal subject.

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This is what happens when riders are asked silly questions during press conferences.

Turn two at Indy generally doesn’t generate interesting images aside from the opening lap of a race, but I decided to make a brief stop since I was in the area.

The first couple riders went by and I quickly remembered why I don’t really spend much time there. Next thing I know, Alex Marquez runs wide entering the turn and skids into the grass making odd shapes along the way.

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At the moment, the outside of turn three is the most interesting spot I know of at Indy that plays well with the morning light. The first time I shot this corner was three years ago, just before Marc Marquez entered the premier class, and the riding style did not look quite like this.

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This angle only works with riders with a certain riding style. Jorge Lorenzo is one of them.